| F.O.G.
An Original, Feature-Length
Screenplay by Mark Barkawitz
FADE IN:
EXT. ALLEY-AFTERNOON
EDDIE HUCK-a lean, wild-eyed sixteen-year-old,
who wears a T-shirt with a KROQ logo, loose-fitting jeans,
and new high-top tennies-runs. Chasing angrily behind him
are THREE TAGGERS. They wear extremely baggie garb with
skinheads and red bandana headbands. Though racially diverse,
they are otherwise indistinguishable from one another.
EDDIE
(Voice-Over)
My name's Eddie Huck. You probably heard of me on the
news or if you read the papers. I'm the one they made
sound like a lost soul. A loner. A runaway. But even before
it all happened-the shootings and killings, I mean-even
then I was one of those guys who never quite fit in. Always
the odd-dude-out. The last chosen. The brunt of the joke.
(still running; glancing over shoulder)
So I guess there's no use lying about it- in the sixteen-plus
years that I hung-out in that treacherous part of the
planet called Los Angeles, I'd thought about running away.
To where? I didn't know. Something just told me, I had
to get away.
(increasing speed)
Fortunately, I had practiced for my journey.
As Eddie continues to extend his lead, the
taggers curse him from behind. He looks over his shoulder
and smiles to himself, confident in his ability to outrun
his pursuers. But as he approaches the cross street which
intersects the alley, a polished metallic low-rider screeches
to a stop directly in front of him. Still looking backwards,
Eddie runs into the fender, which knocks the wind out of
him and leaves him gasping for breath on the hood.
EDDIE
(continuing VO)
Of course like any other guy my age, cars were another
part of my story.
The taggers close in from behind. I.N.K. gets
OUT of the car. In his mid-to-late twenties, he is big,
mean, and tattooed with gang insignias and a teardrop at
the outside corner of one eye. Slowly walking around the
front of his low-rider, he inspects the hood and fender
for damage, over which Eddie still lies, trying to catch
his breath. I.N.K. puts his face close to Eddie's on the
hood.
I.N.K.
I believe your ugly face is sweatin' on my sixteen coats
of polished acrylic lacquer.
Eddie raises himself off the car. With the
front of his T-shirt, he wipes his sweaty face print off
the hood. I.N.K. nods his approval.
EDDIE
My bad, Mr. Ink.
I.N.K.
That's pronounced capital I, capital N, capital K. Chump!
But it's a good sign for you you know my name.
EDDIE
(VO)
I'd seen it spray-painted on enough freeway signs.
I.N.K.
(to taggers)
So maybe this dumb fuck Huck ain't as dumb as he looks.
Eh, homeys?
EDDIE
(VO)
He was wrong. I was.
I.N.K. looks Eddie over, as if sizing him
up.
I.N.K.
You ever hear the joke about the dude who joined a club
so he wouldn't get beat over the head with it?
The taggers laugh at their leader's joke.
I.N.K. smiles. Eddie just shakes his head-no.
I.N.K.
Well, Huck. Maybe you better think about it.
The gang leader walks around the front of
the low-rider, opens the driver's door, then cranks up the
gansta' rap on his custom stereo. The taggers move in. From
behind, the tallest tagger punches Eddie in the kidney.
Eddie winces and slides slowly down the fender. On the ground,
hidden beside the low-rider, they continue to kick and punch
him. As he tries to cover himself from their blows, one
of the taggers removes Eddie's new high-tops from his feet.
The tallest one warns:
TAGGER #1
An' don't forget my lunch money tomorrow, chump!
After one last kick at Eddie, the taggers
hurry back down the alley with his shoes to EXIT in same
direction from which they came. The low-rider's engine starts,
revs, and the car screeches AWAY, leaving Eddie lying on
the blacktop, curled in a fetal position, moaning.
EDDIE
(sarcastic VO)
Oh-h, yeah. I loved L.A.
EXT. HUCK'S HOUSE-EVENING
Unlike the other houses surrounding
it in the lower-middle class neighborhood, the Hucks' house
needs a paint job and its lawn mowed. The old roof is half-covered
with new shingles and bundles of shingles are spread around
the roofing-job-in-progess. But no one is on the roof at
work. An old Plymouth Duster, also in need of a paint job
and body work, is parked in the driveway. A nondescript,
newer sedan is parked at the curb. In his stocking-feet,
Eddie APPROACHES, holding his injured side.
EDDIE
(VO)
When I got home, Mom's car was already parked in the driveway.
Bummer. Not that I had anything against Mom.
(stepping on porch; putting key in door)
She was okay for divorced, middle-aged, overweight actress/dancer/model/whatever,
who was too busy bingeing and purging to pay attention
to my problems. I just didn't feel like telling her about
losing the new kicks she'd just bought me with Dad's monthly
child support check.
INT. HUCK'S HOUSE-EVENING
Eddie opens the front door and ENTERS.
In the livingroom, MRS. GLORIA HUCK-fortyish, bleached platinum
hair that changes color weekly, wearing skin-tight, spandex
dance togs over her large derriere-and FATHER BOB-dressed
in a black suit with a white cleric's color-stand up from
the couch.
EDDIE
(continuing VO)
Did I mention she was falling in love with our parish
priest?
MRS. HUCK
Hi, Honey. How was your day?
(without waiting for an answer)
You know Father Bob.
EDDIE
(nods; closes front door; VO)
Mom had been trying to find God, but found Father Bob
instead. I think the mutual attraction arose from their
mutual unavailability- Father Bob for the obvious reasons
and Mom 'cause 'a Dad's alimony payments, which would
only stop if she remarried.
FATHER BOB
I hope to see you Sunday, Edward.
EDDIE
(points heavenward)
Sorry, Father. I'm up on the roof.
As Eddie starts to leave, his mother calls
after him:
MRS. HUCK
Do your homework, Honey.
EDDIE
(EXITING to rear of house)
I don't have any tonight.
INT. HUCKS' BATHROOM-EVENING
Eddie ENTERS the dark room and switches
ON the lights. The mirror is lit with rows of bulbs. The
sink is cluttered with make-up, hair brushes, curlers, and
wigs on styrofoam heads with oddly-painted faces. He removes
and tosses his shirt and dirty socks in the hamper. A scar
runs along his lower spine. He checks his new bruises in
the mirror. Two small dimples on either temple are now noticeable
in the bright light.
EDDIE
(VO)
Mom believed pretty much anything I told her. Mostly 'cause
it was a lot easier that way. She still called herself
Mrs. Huck, explaining she'd kept Dad's last name for professional
reasons, although I'm not sure how professional the name
Gloria Huck sounded to anybody. I'm not even sure she
and Dad were really divorced. One day when I was little,
he was just gone. Mom didn't like to talk about it. Like
a cold cereal commercial played over and over again, she
always said the same thing about him:
FLASHBACK to: a younger Mrs. Huck with a Nancy
Reagan hairdo, plucking her eyebrows at the same mirror.
YOUNG EDDIE, around seven years old, stands nearby, watching
her.
MRS. HUCK
(looking into mirror)
Your father's a nut, Honey.
END FLASHBACK. CUT BACK to: a bruised Eddie
staring at himself in the mirror. He sighs deeply.
INT. EDDIE'S BEDROOM-EVENING
Like most teenager's rooms, it's a
mess: clothes in piles and strewn about, CDs cast haphazardly
around the stereo, empty soda cans and cups, school books
and corrected papers-mostly Ds and Fs-scattered on the desk.
The walls are covered with rap and alt rock posters-Linkin
Park, Eminem, Dr. Dre, Beck, Nirvana-interspersed with pencil
and ink drawings-dark and escapist-signed "EH." Eddie ENTERS,
shirt off, and collapses on the unmade bed.
EDDIE
(VO)
Though I'd promised myself to stick it out through next
semester, when I was scheduled to take Driver's Ed so
I could get my license, I was beginning to question my
commitment to high school.
(places earphones on head; turns on stereo)
I mean, it wasn't like I was gonna be a rocket scientist
or a brain surgeon or something. Pumping gas or roofing
houses was fine with me if it got me out of here.
Eddie reaches over for an art pad and pencil,
begins drawing.
EDDIE
(continuing VO)
I'd use my usual excuse for missing school tomorrow.
FLASH FORWARD to:
INT. HUCK'S BATHROOM-MORNING
As Mrs. Huck puts on her face in the
make-up mirror, Eddie stands nearby in a baggy T-shirt and
boxers, his hair mussed from sleeping.
EDDIE
My back went out again, Mom.
She stares at him in the mirror.
EDDIE
(VO)
I'd learned early in life- a little guilt goes a long
way.
END FLASH FORWARD. FLASHBACK to:
INT. OLD DATSUN-NIGHT
The younger Mrs. Huck checks her make-up
in mirror while driving. Young Eddie sits in passenger seat
without a seatbelt.
EXT. INTERSECTION-NIGHT
A thick fog shrouds the street, masking
the traffic light, which changes from green to yellow to
red as the old Datsun ENTERS the intersection. From the
other direction, it is broad-sided on the passenger side
by a garbage truck suddenly ENTERING the intersection. Metal
crunches, glass breaks. The compact car spins to a stop
and all is again quiet in the fog.
INT. HOSPITAL ROOM-MORNING
Young Eddie lies in a hospital bed, wired
in traction with bolts screwed into the sides of his temples
and his ankles, which are connected by cables that run through
pulleys above the bed. Mrs. Huck sits by his bedside. She
wears sunglasses to cover her blackened eye and reads Cosmopolitan
magazine.
EDDIE
(continuing VO)
Mom's driving skills trapped me in traction for second
and most of third grade. The doctors said I'd never walk
again. A lot they knew. Mom said Dad had come by to see
me in the recovery room, but I couldn't remember. Hell,
I barely remembered him at all now. Only on birthdays
and Christmas, when every year like a reminder, he sent
me the same lame letter and a fifty-dollar bill.
END FLASHBACK. CUT BACK to:
INT. EDDIE'S BEDROOM-EVENING
As last we saw him lying in bed with
headphones and drawing pad, Eddie stares at the artwork
on his lap: a man without a face. He rips off the page,
crumples it, and tosses it at the already-filled wastebasket.
It bounces onto the floor. He reaches over and turns the
stereo up louder to blare out the memory, then lies back
again and closes his eyes.
EDDIE
(VO)
I stayed home with my bad back for the next three days
and what with the weekend . . .
EXT. HIGH SCHOOL TRACK-DAY
Dressed in white T-shirts and gym shorts,
Eddie runs on the track with the other MALE STUDENTS. But
unlike the others who jog, he runs a fast pace, passing
and leaving them behind.
EDDIE
(continuing VO)
. . . it was almost a week before I went back to school.
On the sidelines, the P.E. COACH-thirties,
muscular in a tight T-shirt-holds a stopwatch and checks
Eddie's time. He is surprisingly impressed.
INT. BOYS' LOCKER ROOM-DAY
Lockers on both sides form a narrow
aisle. In his sweaty T-shirt and gym shorts, Eddie sits
on the long bench that runs down the middle of the concrete
floor, working the combination on his locker. A few other
male students get dressed nearby.
EDDIE
(continuing VO)
I figured things had chilled and maybe Ink's gang had
found someone else to pound on for awhile.
At the far end of the aisle, Taggers #2 and
#3 ENTER. The other guys finish dressing and quickly EXIT
past them. Eddie spots the two taggers.
EDDIE
(continuing VO)
Or not.
Eddie closes his locker and turns to split
in other direction, when Tagger #1, the tallest of the three,
suddenly APPERARS at that end of the lockers. Surrounded,
Eddie leans back against his locker and awaits the inevitable.
TAGGER #1
Hey, Huck. Where you been? We missed you at luch time
last week. Right, boys?
The other two agree. Tagger #1 gets up in
Eddie's face.
TAGGER #1
You better have my lunch money, chump.
EDDIE
I'm broke, guys. Honest.
TAGGER #1
Broke?
(shaking head in disgust)
This is very disappointing. Open the locker.
Eddie hesitates. Tagger #1 punches him in
the stomach. Keeling forward, Eddie turns and unlocks his
locker. Tagger #1 pushes Eddie out of the way, then ransacks
the locker, giving his partners Eddie's newest pair of high-tops.
He finds a couple dollars in a pants pocket.
TAGGER #1
Two fuckin' bucks. Huck, you as cheap as you are stupid.
(putting money in pocket)
You thought about what I.N.K. asked you last week?
Still holding his stomach, Eddie shakes his
head.
TAGGER #1
Well, you better. 'Cause you sure ain't doin' yourself
no good this way. You need protection. You need homeys.
You need a new family.
EDDIE
(VO)
That had occurred to me, too.
They are about to pound on Eddie some more,
when the P.E. Coach APPEARS at the end of the aisle.
COACH
Aren't you boys supposed to be going to class.
TAGGER #1
Yeah, Coach. We be goin'. Right, Huck?
COACH
Leave the shoes.
Tagger #1 nods. Tagger #2 drops Eddie's high-tops
on the floor. Tagger #1 leads the other two and they EXIT.
At the other end of the aisle, the P.E. Coach EXITS, too.
Eddie leans back against the lockers and slides down to
the floor, where he sits, holding his stomach. OFF-CAMERA,
the class bell rings loudly.
INT. BIOLOGY CLASSROOM-DAY
At the front of the room, the teacher
MRS. COOPER-early-to-mid thirties, attractive-hands out
corrected papers to the STUDENTS. Through the glass in the
top half of the door, EDDIE APPEARS outside, looking in.
Opening the door quietly, he enters, his hair still wet
from showering after gym class. On his way to his desk,
the teacher hands him his corrected test paper.
MRS. COOPER
(confidentially)
See me after class, Edward.
He nods and keeps the test folded closed.
As he sits, he smiles at JULIE LOVE, the teenage girl who
sits in the desk behind him. She returns the smile. She
wears a loose-fitting but low-cut summer dress and black,
Doc Marten construction boots. A small flower is done up
in her hair. She leans over his shoulder and whispers in
his ear.
JULIE
What'd you get?
Eddie lifts the corner of the test paper on
his desk, so only he can see the score. A big, red "D-"
is at the top. He closes the paper, leans back, and confides
to Julie:
EDDIE
I got a "C."
JULIE
Me. too.
But the test on her desk is marked at the
top with a big "A." She puts it in her folder.
EDDIE
(VO)
Julie Love was my girl friend. Not girlfriend girl friend.
But she was a girl and my only real friend. Not that I
didn't want her as my girlfriend girl friend. It just
hadn't come up. Not yet anyway. She was new at school
this year and we'd gotten to know each other before the
others told her anything about me.
Back to Introduction |